The program sends artists from America and Georgia to each others' countries. "I'm going to bring this American clawhammer old-time style to the highest inhabited village in Europe," says Maxwell Evrard, "and I’m going to make people tap their foot."
At a Harvard Natural History Museum workshop, SSL learns how to embalm a rat.
David W. Gould is standing at the center of Eel River Preserve, surrounded by grasses, shrubs, and trees stretching in all directions. From this vast expanse of green, he points out the pitch pines, the red maples, the shoulder-high cattails. Light glints off the small stream behind him. A carpet of sphagnum moss squelches beneath his boots.
Efforts to preserve the Old Burying Ground’s historical and aesthetic legacy have given rise to an entirely new set of questions: Who gets memorialized after death, and why? What makes us devote money and manpower to the upkeep of a graveyard so old that no surviving descendants are left to visit? And what does all of it say about us now?